

Black Panther
The body that refuses to be tamed. The black that was never decoration.

The Black Widow
She is two selves now. The woman she was, and the woman who remains.
Abraham & Isaac
The hand stays raised. The angel has already arrived. The inheritance is the moment between.

Storm
She does not wait for the weather. She is the weather.
The Three Yoruba Brothers
Three brothers. One inheritance. The light arranges itself around them like a verdict.
Red Man
He has seen the whole city. Now the city looks back at him.











Tòlání
A woman adorned in Aṣò ẹbí. In the folds of her Gele, a calm, assured regality.
Halimat
The daughter of the middle. The one who fights to be seen. Her gaze always outwards.
Ada
The first daughter. The one who shoulders the weight, but whose tears won't show.
Àríkè
The last daughter. She shines and glows, stepping in the footsteps of her sisters, her head held high.

The Complete Auntys
Ada. Halimat. Àríkè. All three sisters, together.
The Last Dance
The music has not stopped. She has simply heard the silence underneath it.
The Red Man
His first breakthrough. The painting that left the studio and became the world's.
- Medium
- Mixed media on canvas
- Size
- 38 × 50 in
- Year
- 2024
- Edition
- Original · 1 of 1
- Studio of Anthony Azekwoh · Lagos · 2024
Not the Marvel emblem. An older animal. The panther here is political before it is mythological, the body that walks the long border between captured and free. Anthony paints the muscle slow, the eye slower. The viewer is the one being studied.